Jose Lorenzo Reyna is nothing if not a risk-taker.
As a 17-year-old in 1994, he decided to leave Cuba by swimming
for three days to the U.S. Naval Base in Guantanamo. Maybe even
more daring, he purposely chose to live in Richmond, a city with
less than 3 percent Latinos, so he'd learn English — fast.
|
| |
| Turns out his willingness to do the unthinkable
could be a great thing for the Richmond music scene. Because these
days, Reyna, a 25 year-old art major at Virginia Commonwealth University,
is also founder and lead singer of Timbason, Richmond's local band
playing exclusively Cuban music. |
| |
| Started 6 years ago, Timbason has Latin horns;
percussion and strings that Lorenzo is convinced can make anyone want
to grab a piña colada and move. As the city's Latino population
continues to balloon (it's doubled in the last decade) and hit the
radar, it could be that the band's sound will find a comfortable home
here after all. |
| |
| Timbason covers both traditional and new sounds
coming out of Cuba. It's Cuban “folk,” (meaning the Buena
Vista Social Club sound that stormed music charts in the late '90s).
And it's the newer Timba that people on the island listen to and dance
to today. High trumpets, more electrified bass, tight choruses —
Lorenzo says it's an unforgiving Hajiaco (mishmash soup) of R&B,
hip-hop, Latin jazz, rumba and a bunch of other genres most of us
in the states have never heard of like Songo. |
| |
| “Cuban music is hard to play,” Lorenzo
explains. “You really either have to have grown up surrounded
by it or you have to have studied it quite a bit.” There are
basic recipes: mambo, cha-cha, salsa, son, boleros, all of which can
be butchered in a cheesy Doris-Day way. Or you can get the real spine-tingling
effect of a dozen instruments improvised layer after layer on a basic
rhythm, say, of a Guaguanco (Cumba — cun-cun — Cumba-cun-cun),
until the room rocks. |
| |
| I'm like an old man,” he says, laughing.
“I don't drink. I don't smoke — not anything. My only
vice is black coffee.” |
| |
| Not surprisingly, Lorenzo works as the band's
booking agent, manager — you name it. And the work is tough.
Connecting a Richmond audience to the sounds of a mambo is tricky
work, especially when club venues are so scarce in Richmond (especially
for a whopping 11-piece band). The band plays primarily clubs in Shockoe
Bottom and at large private or corporate parties. (In Northern Virginia,
where the Latino population is a lot bigger, it's another story.) |
| |
| “What I see when we play is a group of people
dancing and having fun, that's it. It's not really important that
I'm singing in Spanish or if they're American or not. If you can transmit
your energy through the music, you're OK. Besides, Cuban music is
really just beautiful, and it's so much more than just salsa.”
|
| |
| By Meg Medina. |
| |
| |
|
|